{"title":"Glensound - Network Audio","description":"","products":[{"product_id":"charon-8r1-rack-mount-8-channel-dante-sdi-embedder-de-embedder-with-1-module","title":"Charon 8R1 - Rack Mount 8 Channel Dante\/SDI embedder de-embedder with 1 module","description":"The Charon 8R1 is a very simple 3G-SDI audio embedder\/de-embedder.\u003cbr\u003e\n\u003cbr\u003e\n- Incoming 3G-SDI has signal has audio channels 1-8 de-embedded.  These are embedded to Dante output channels 1-8\u003cbr\u003e\n- Incoming Dante channels 1-8 are embedded into 3G-SDI output\u003cbr\u003e\n\u003cbr\u003e\nThere are no controls on the Charon and audio is just passed simultaneously bi-directionally, 1 input to 1 output as above.  This simplicity of operation is intentional for situations where basic 3G-SDI audio embed\/de-embed functions are required without the excess functions of other units that inevitably cost more.\u003cbr\u003e\n\u003cbr\u003e\nNetwork connections are fully redundant with primary and seconday connections via CAT5 copper Ethernet, or fibre via primary and secondary SFP cages.\u003cbr\u003e\n\u003cbr\u003e\nAt this time, tha Charon is 3G-SDI (SMPTE 424M) only, and 6G or 12G are not supported.\u003cbr\u003e\n\u003cbr\u003e\nThe SDI input and output is via 2 x 75ohm unbalanced BNC connectors.\u003cbr\u003e\n\u003cbr\u003e\nThe Charon 8R1 is a 19\" rack mount unit with 2 x VAC mains power supplies for redundancy.","brand":"Glensound - Network Audio","offers":[{"title":"Charon 8R1 \/ https:\/\/www.glensound.co.uk\/product-details\/charon-8r1\/ \/ null","offer_id":43223898652760,"sku":null,"price":2773.87,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_931b6cf6-405e-49a2-b00b-aea3e2b7fbf5.jpg?v=1758499266"},{"product_id":"charon-8r2-twin-rack-mount-8-channel-dante-sdi-embedder-de-embedder","title":"Charon 8R2 Twin Rack Mount 8 Channel Dante\/SDI embedder de-embedder","description":"The Charon 8R2 is a very simple 3G-SDI audio embedder\/de-embedder, featuring two embedder\/de-embedder modules.\u003cbr\u003e\n\u003cbr\u003e\nPer module:\u003cbr\u003e\n- Incoming 3G-SDI has audio channels 1-8 de-embedded.  These are embedded to Dante output channels 1-8\u003cbr\u003e\n- Incoming Dante channels 1-8 are embedded into 3G-SDI output\u003cbr\u003e\n\u003cbr\u003e\nThere are no controls on the Charon and audio is just passed simutaneously bi-directionally, 1 input to 1 output per module as above.  This simplicity of operation is intentional for situations where basic 3G-SDI audio embed\/de-embed functions are required without the excess functions of other units that inevitably cost more.\u003cbr\u003e\n\u003cbr\u003e\nNetwork connections are fully redundant with primary and seconday connections via CAT5 copper Ethernet, or fibre via primary and secondary SFP cages.\u003cbr\u003e\n\u003cbr\u003e\nAt this time, tha Charon is 3G-SDI (SMPTE 424M) only, and 6G or 12G are not supported.\u003cbr\u003e\n\u003cbr\u003e\nThe SDI input and output is via 2 x 75ohm unbalanced BNC connectors.\u003cbr\u003e\n\u003cbr\u003e\nThe Charon 8R2 is available as a rack mount unit with 2 x VAC mains power supplies for redundancy.\u003cbr\u003e\n\u003cbr\u003e\nIt is standard with 2 embed\/de-embed modules.","brand":"Glensound - Network Audio","offers":[{"title":"Charon 8R2 \/ https:\/\/www.glensound.co.uk\/product-details\/charon-8r2\/ \/ null","offer_id":43223898685528,"sku":null,"price":5433.58,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_911d8722-1628-4717-9166-c69ba4bae9b1.jpg?v=1758499276"},{"product_id":"vittoria-dd-dante-to-dante-network-bridge","title":"VITTORIA DD - Dante To Dante Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Dante networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 32 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 192kHz.\u003cbr\u003e\n\u003cbr\u003e\nTwo Dante Interfaces\u003cbr\u003e\nThe Vittoria has two Dante network audio interfaces. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nA Ravenna\/AES67 module is now also available allowing the Vittoria to include a Dante and a Ravenna module, for two isolated networks using different technologies but still passing audio.  Available configurations are:\u003cbr\u003e\n\u003cbr\u003e\nVittoria DD:  Dante to Dante\u003cbr\u003e\nVittoria DR:  Dante to Ravenna\u003cbr\u003e\nVittoria RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 192kHz, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nIf you have a work flow that includes AES67 and separate Dante networks, then the Vittoria can be used to bridge between them, with one network interface operating in Dante mode, and the other operating in AES67 mode.\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-192kHz.\u003cbr\u003e\n\u003cbr\u003e\n32 Channels\u003cbr\u003e\nThe Vittoria features a Dante Brooklyn II module in each interface and has 32 channels. Whatever you input on the primary interface is output on the secondary interface, and vice versa, up to 32 channels.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nAs well as Dante \u0026amp; AES67, the Vittoria is also SMPTE ST-2110-30 compatible.\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nSeparate Word Clock In\/Out\u003cbr\u003e\nEach network interface has a word clock input and a word clock output connection, available on full size BNC connectors. This allows connection of other devices for clock sync on each network separately.\u003cbr\u003e\n\u003cbr\u003e\nVittoria As A Sample Rate Converter\u003cbr\u003e\nTypically each network interface of the Vittoria will operate on separate networks, however they can both be connected to the same network if you would like to use the Vittoria as a sample rate converter.\u003cbr\u003e\n\u003cbr\u003e\nIf the primary network is operating at 44.1kHz and you want to connect a device at 48kHz, just set the secondary interface to 48kHz and connect your new device to this interface in Dante Controller. The audio will now be available on the primary interface at 44.1kHz.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA DD \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-dd\/ \/ null","offer_id":43228944564312,"sku":null,"price":5776.04,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_7271f50b-a255-4ecf-9c16-cb1ebcd9d65c.jpg?v=1758614437"},{"product_id":"vittoria-dr-dante-to-ravenna-network-bridge","title":"VITTORIA DR - Dante To Ravenna Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Dante networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 32 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 192kHz.\u003cbr\u003e\n\u003cbr\u003e\nOne Dante Interface One Ravenna inerface\u003cbr\u003e\nThe Vittoria has one Dante network audio interface and one Ravenna interface. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nA Ravenna\/AES67 module is now also available allowing the Vittoria to include a Dante and a Ravenna module, for two isolated networks using different technologies but still passing audio.  Available configurations are:\u003cbr\u003e\n\u003cbr\u003e\nVittoria DD:  Dante to Dante\u003cbr\u003e\nVittoria DR:  Dante to Ravenna\u003cbr\u003e\nVittoria RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 192kHz, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nIf you have a work flow that includes AES67 and separate Dante networks, then the Vittoria can be used to bridge between them, with one network interface operating in Dante mode, and the other operating in AES67 mode.\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-192kHz.\u003cbr\u003e\n\u003cbr\u003e\n32 Channels\u003cbr\u003e\nThe Vittoria features a Dante Brooklyn II module in each interface and has 32 channels. Whatever you input on the primary interface is output on the secondary interface, and vice versa, up to 32 channels.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nAs well as Dante \u0026amp; AES67, the Vittoria is also SMPTE ST-2110-30 compatible.\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nSeparate Word Clock In\/Out\u003cbr\u003e\nEach network interface has a word clock input and a word clock output connection, available on full size BNC connectors. This allows connection of other devices for clock sync on each network separately.\u003cbr\u003e\n\u003cbr\u003e\nVittoria As A Sample Rate Converter\u003cbr\u003e\nTypically each network interface of the Vittoria will operate on separate networks, however they can both be connected to the same network if you would like to use the Vittoria as a sample rate converter.\u003cbr\u003e\n\u003cbr\u003e\nIf the primary network is operating at 44.1kHz and you want to connect a device at 48kHz, just set the secondary interface to 48kHz and connect your new device to this interface in Dante Controller. The audio will now be available on the primary interface at 44.1kHz.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA DR \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-dr-666\/ \/ null","offer_id":43228944695384,"sku":null,"price":6004.34,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_62558282-da6d-4b2b-9ba0-d913b0f7b8cb.jpg?v=1758614442"},{"product_id":"vittoria-rr-ravenna-to-ravenna-network-bridge","title":"VITTORIA RR - Ravenna to Ravenna Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Ravenna networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 32 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 96kHz.\u003cbr\u003e\n\u003cbr\u003e\nAES67\/Ravenna Interfaces\u003cbr\u003e\nThe Vittoria RR has 2 Ravenna network interface. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nVittoria DD:  Dante to Dante\u003cbr\u003e\nVittoria DR:  Dante to Ravenna\u003cbr\u003e\nVittoria RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own Ravenna network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 44.1kHz on Ravenna, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-96kHz.\u003cbr\u003e\n\u003cbr\u003e\n32 Channels\u003cbr\u003e\nThe Vittoria features two Ravenna\/AES67 module that pass 32 channels of bi-directional audio between each other. Whatever you input on the first module is output on the second module, and vice versa, up to 32 channels.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nThe Vittoria is also full SMPTE ST-2110-30 compliant without further software or licensing required..\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA RR \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-64-rr\/ \/ null","offer_id":43228944728152,"sku":null,"price":6232.64,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_72267440-794a-4d10-8d58-2e531d75195f.jpg?v=1758614446"},{"product_id":"vittoria-64-rr-64-channel-ravenna-ravenna-network-bridge","title":"VITTORIA 64 RR - 64 Channel Ravenna \/ Ravenna Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Ravenna networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 64 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 96kHz.\u003cbr\u003e\n\u003cbr\u003e\nAES67\/Ravenna Interfaces\u003cbr\u003e\nThe Vittoria 64 RR has 2 Ravenna network interface. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nVittoria 64 DD:  Dante to Dante\u003cbr\u003e\nVittoria 64 DR:  Dante to Ravenna\u003cbr\u003e\nVittoria 64 RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own Ravenna network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 44.1kHz on Ravenna, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-96kHz.\u003cbr\u003e\n\u003cbr\u003e\n64 Channels\u003cbr\u003e\nThe Vittoria features two Ravenna\/AES67 module that pass 64 channels of bi-directional audio between each other. Whatever you input on the first module is output on the second module, and vice versa, up to 64 channels.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nThe Vittoria is also full SMPTE ST-2110-30 compliant without further software or licensing required..\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA 64\/RR \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-64-rr\/ \/ null","offer_id":43228944891992,"sku":null,"price":7545.38,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_80df5d82-8e6d-483f-b46e-c36b93b55e21.jpg?v=1758614454"},{"product_id":"vittoria-64-dr-64-channel-dante-ravenna-network-bridge","title":"VITTORIA 64 DR - 64 Channel Dante \/ Ravenna Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Dante and  Ravenna networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 64 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 96kHz.\u003cbr\u003e\n\u003cbr\u003e\nDante\/Ravenna Interfaces\u003cbr\u003e\nThe Vittoria has 1 Dante network and 1 Ravenna network interface. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nA Ravenna\/AES67 module is now also available allowing the Vittoria to include a Dante and a Ravenna module, for two isolated networks using different technologies but still passing audio.  Available configurations are:\u003cbr\u003e\n\u003cbr\u003e\nVittoria 64 DD:  Dante to Dante\u003cbr\u003e\nVittoria 64 DR:  Dante to Ravenna\u003cbr\u003e\nVittoria 64 RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own Dante network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 44.1kHz on Ravenna, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nIf you have a work flow that includes AES67 and separate Dante networks, then the Vittoria can be used to bridge between them, with one network interface operating in Dante mode, and the other operating in AES67 mode.\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-96kHz.\u003cbr\u003e\n\u003cbr\u003e\n64 Channels\u003cbr\u003e\nThe Vittoria features a Dante Brooklyn III module and a separate Ravenna\/AES67 module that pass 64 channels of bi-directional audio between each other. Whatever you input on the first module is output on the second module, and vice versa, up to 64 channels.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nAs well as Dante \u0026amp; AES67, the Vittoria is also full SMPTE ST-2110-30 compliant on the Ravenna\/AES67 module without further software or licensing required..\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nWord Clock In\/Out\u003cbr\u003e\nThe Dante network interface has a word clock input and a word clock output connection, available on full size BNC connectors. This allows connection of other devices for clock sync on Dante.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA 64\/DR \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-64-dr\/ \/ null","offer_id":43228944957528,"sku":null,"price":7317.08,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_8b14a4ed-e802-454d-a040-59ef6dacfbf7.jpg?v=1758614458"},{"product_id":"vittoria-64-dd-64-channel-dante-to-dante-network-bridge","title":"VITTORIA 64 DD - 64 Channel Dante To Dante Network Bridge","description":"The Vittoria provides a bridge between two internal and separate Dante networks. These networks are completely isolated from each other with 100% network security, providing a complete network firewall. Vittoria links 64 channels from each network directly in DSP, allowing the passing of bi-directional audio but with complete isolation and security from each separate network.\u003cbr\u003e\n\u003cbr\u003e\nAs each network is isolated, they can operate asynchronously and at different sample rates from each other without any problems. Each network can operate at sample rates from 44.1 kHz up to 96kHz.\u003cbr\u003e\n\u003cbr\u003e\nTwo Dante Interfaces\u003cbr\u003e\nThe Vittoria has two Dante network audio interfaces. Each interface has:\u003cbr\u003e\n- Primary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Secondary connection using copper Ethernet via RJ45 EtherCON socket\u003cbr\u003e\n- Primary fibre connection via SFP module slot\u003cbr\u003e\n- Secondary fibre connection via SFP module slot\u003cbr\u003e\n\u003cbr\u003e\nThe two network interfaces will typically be connected onto different networks and the Vittoria will ‘bridge’ between them.\u003cbr\u003e\n\u003cbr\u003e\nNew Network interface options\u003cbr\u003e\nA Ravenna\/AES67 module is now also available allowing the Vittoria to include a Dante and a Ravenna module, for two isolated networks using different technologies but still passing audio.  Available configurations are:\u003cbr\u003e\n\u003cbr\u003e\nVittoria 64 DD:  Dante to Dante\u003cbr\u003e\nVittoria 64 DR:  Dante to Ravenna\u003cbr\u003e\nVittoria 64 RR:  Ravenna to Ravenna\u003cbr\u003e\n\u003cbr\u003e\nIndependently Operated Networks\u003cbr\u003e\nAs each side of the Vittoria is independent and not connected across a network, they can have independent settings.\u003cbr\u003e\n\u003cbr\u003e\nFor example, if the Vittoria is in OB truck running its own network connection at 48kHz to sync with the other devices on board the truck, but needs to link with an external network in a local studio that is operating at 44.1kHz, then that is no problem for the Vittoria. It will bridge the two network settings and audio will flow!\u003cbr\u003e\n\u003cbr\u003e\nIf you have a work flow that includes AES67 and separate Dante networks, then the Vittoria can be used to bridge between them, with one network interface operating in Dante mode, and the other operating in AES67 mode.\u003cbr\u003e\n\u003cbr\u003e\nEach network on the Vittoria will operate between sample rates of 44.1-96kHz.\u003cbr\u003e\n\u003cbr\u003e\n64 Channels\u003cbr\u003e\nThe Vittoria features a Dante Brooklyn III module in each interface and has 64 channels. Whatever you input on the primary interface is output on the secondary interface, and vice versa, up to 64 channels.\u003cbr\u003e\n\u003cbr\u003e\n\u003cbr\u003e\nNetwork Compatibility\u003cbr\u003e\nAs well as Dante \u0026amp; AES67, the Vittoria is also SMPTE ST-2110-30 compatible using DDM.\u003cbr\u003e\n\u003cbr\u003e\nEach Network Can Operate Asynchronously\u003cbr\u003e\nAlthough each network of the Vittoria is connected via Ethernet, they can be operated with different master clocks at different clock speeds. This could be useful if you needed to spread the number of devices on one network across two. This would be very useful when using a high number of Ultimo based devices, for example.\u003cbr\u003e\n\u003cbr\u003e\nSeparate Word Clock In\/Out\u003cbr\u003e\nEach network interface has a word clock input and a word clock output connection, available on full size BNC connectors. This allows connection of other devices for clock sync on each network separately.\u003cbr\u003e\n\u003cbr\u003e\nVittoria As A Sample Rate Converter\u003cbr\u003e\nTypically each network interface of the Vittoria will operate on separate networks, however they can both be connected to the same network if you would like to use the Vittoria as a sample rate converter.\u003cbr\u003e\n\u003cbr\u003e\nIf the primary network is operating at 44.1kHz and you want to connect a device at 48kHz, just set the secondary interface to 48kHz and connect your new device to this interface in Dante Controller. The audio will now be available on the primary interface at 44.1kHz.\u003cbr\u003e\n\u003cbr\u003e\nRedundant Power Supplies\u003cbr\u003e\nThe Vittoria has two switch mode AC power supplies presented on rear panel IEC plugs.\u003cbr\u003e\n\u003cbr\u003e\nThese operate on a load sharing basis. This means that both supplies are running together at a low level. Statistically it is shown that running the supplies together offers greater life in the power supply than running one at full capacity with the other only taking over if it fails.","brand":"Glensound - Network Audio","offers":[{"title":"VITTORIA 64\/DD \/ https:\/\/www.glensound.co.uk\/product-details\/vittoria-64-dd\/ \/ null","offer_id":43228945285208,"sku":null,"price":7088.77,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_4986da13-b1c4-4cf9-b017-b26daf661ae7.jpg?v=1758614465"},{"product_id":"gtm-esports-gamers-interface","title":"GTM - eSports Gamers Interface","description":"The GTM combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.\u003cbr\u003e\nThe GTM is available in a stripped down version, with no direct top panel controls, for system integrators\u003cbr\u003e\nTop Panel Mixer\u2028\u003cbr\u003e\nThe top panel contains three level controls for the user to adjust their desired mix into their headphones from the following sources:\u003cbr\u003e\nGAME: This is the stereo level of the game audio \u003cbr\u003e\nTEAM: This is the overall level of the team comms channel \u003cbr\u003e\nME: This is the level of the users own voice in their headphones\u003cbr\u003e\n\u003cbr\u003e\nLarge controls allow for quick and easy adjustments and a multicolour LED ring around the control indicates the level position\u003cbr\u003e\nEach control is also a push button that can be used for future developments.\u003cbr\u003e\nGame Audio Saurce\u003cbr\u003e\n\u003cbr\u003e\nFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source\u003cbr\u003e\nSPDIF A stereo digital optical TOSLink connection\u003cbr\u003e\nAUX IN An analogue stereo input on a 3.5mm (1\/8\") jack socket\u003cbr\u003e\nUSB Stereo USB audio input on a USB C connection\u003cbr\u003e\nDANTE Two single channel sources are available from the network\u003cbr\u003e\nMulti Channel Mix Sources\u003cbr\u003e\nDante\u2028From the Dante\/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.\u003cbr\u003e\nTypically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.\u003cbr\u003e\nHD-SDI (option)\u003cbr\u003e\nThe optional HD-SDI connection is de-embedded to provide 4 pairs of stereo audio sources. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair has a balance control. Typically only a single stereo pair is used for the game audio, but the further. inputs allow for future options and flexibility.\u003cbr\u003e\nThe HD-SDI signal is looped out so the GTM can be used inline of the video signal.\u003cbr\u003e\n\u003cbr\u003e\nTeam Mixer\u003cbr\u003e\nThe top panel TEAM pot adjusts the level of the Team Group Mix to the user.\u003cbr\u003e\nThe GTM has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.\u003cbr\u003e\nThere is a multi input, Dante\/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM TEAM pot of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:\u003cbr\u003e\nFront Panel Connections\u003cbr\u003e\nThere are options of connections on the front panel for the user of the GTM\u003cbr\u003e\nHeadset Connection - 3.5mm (1\/8\" jack socket) TRRS\u003cbr\u003e\nThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.\u003cbr\u003e\n\u003cbr\u003e\nMic Input - 3 Pin XLR\u003cbr\u003e\nFor connecting a professional broadcast grade microphone using a separate 3 pin XLR plug. The input is dynamic with selectable 48v phantom power.\u003cbr\u003e\nHeadphone Output\u003cbr\u003e\nThe headphone output is available in parallel via a 3.75mm (1\/4\") and a 2.5mm (1\/8\") jack sockets.\u003cbr\u003e\n\u003cbr\u003e\nTwo Headphone Amplifiers\u003cbr\u003e\nThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and\/or pink noise can be mixed to each output independentely. See the remote control page for further info.\u003cbr\u003e\nRear Panel Connections\u2028\u2028Sources\u2028The multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.\u003cbr\u003e\nMic Gain\u2028The mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.\u003cbr\u003e\nPhantom Power \u0026amp; Bias\u202848V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.\u003cbr\u003e\nNetwork Connection\u2028Two network connections are available so a redundant network can be available if required for backup. The GTM is powered via PoE from the network switch or via a midspan PoE injector.\u003cbr\u003e\nHD-SDI (option)\u2028The HD-SDI input is looped through, so the GTM can be used inline of the video signal. HD-SDI is an option and not on the standard GTM.","brand":"Glensound - Network Audio","offers":[{"title":"GTM \/ https:\/\/www.glensound.co.uk\/product-details\/gtm\/ \/ https:\/\/www.glensound.co.uk\/assets\/library\/62505ea2ba979-GTM%20Brochure%20V1.pdf","offer_id":43229082124376,"sku":null,"price":3595.75,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_74e46cf2-a9ef-4415-a2b7-d63e5564b94e.jpg?v=1758618076"},{"product_id":"gtm-sdi-esports-gamers-interface","title":"GTM SDI - eSports Gamers Interface","description":"The GTM combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.\u003cbr\u003e\nThe GTM is available in a stripped down version, with no direct top panel controls, for system integrators\u003cbr\u003e\n\u003cbr\u003e\nTop Panel Mixer\u003cbr\u003e\n\u003cbr\u003e\nThe top panel contains three level controls for the user to adjust their desired mix into their headphones from the following sources:\u003cbr\u003e\nGAME: This is the stereo level of the game audio\u003cbr\u003e\nTEAM: This is the overall level of the team comms channel\u003cbr\u003e\nME: This is the level of the users own voice in their headphones\u003cbr\u003e\n\u003cbr\u003e\nLarge controls allow for quick and easy adjustments and a multicolour LED ring around the control indicates the level position\u003cbr\u003e\nEach control is also a push button that can be used for future developments.\u003cbr\u003e\n\u003cbr\u003e\nGame Audio Source\u003cbr\u003e\n\u003cbr\u003e\nFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source\u003cbr\u003e\n\u003cbr\u003e\nSPDIF A stereo digital optical TOSLink connection\u003cbr\u003e\nAUX IN An analogue stereo input on a 3.5mm (1\/8\") jack socket\u003cbr\u003e\nUSB Stereo USB audio input on a USB C connection\u003cbr\u003e\nDANTE Two single channel sources are available from the network\u003cbr\u003e\nSDI Stereo game audio available from SDI\u003cbr\u003e\n\u003cbr\u003e\nMulti Channel Mix Sources\u003cbr\u003e\n\u003cbr\u003e\nDante\u003cbr\u003e\nFrom the Dante\/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.\u003cbr\u003e\nTypically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.\u003cbr\u003e\n\u003cbr\u003e\nHD-SDI\u003cbr\u003e\nThe HD-SDI connection is de-embedded to provide 4 pairs of stereo audio sources. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair has a balance control. Typically only a single stereo pair is used for the game audio, but the further. inputs allow for future options and flexibility.\u003cbr\u003e\nThe HD-SDI signal is looped out so the GTM can be used inline of the video signal.\u003cbr\u003e\n\u003cbr\u003e\nTeam Mixer\u003cbr\u003e\n\u003cbr\u003e\nThe top panel TEAM pot adjusts the level of the Team Group Mix to the user.\u003cbr\u003e\n\u003cbr\u003e\nThe GTM has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.\u003cbr\u003e\n\u003cbr\u003e\nThere is a multi input, Dante\/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM TEAM pot of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:\u003cbr\u003e\n\u003cbr\u003e\nFront Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nThere are options of connections on the front panel for the user of the GTM\u003cbr\u003e\n\u003cbr\u003e\nHeadset Connection - 3.5mm (1\/8\" jack socket) TRRS\u003cbr\u003e\nThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.\u003cbr\u003e\n\u003cbr\u003e\nMic Input - 3 Pin XLR\u003cbr\u003e\nFor connecting a professional broadcast grade microphone using a separate 3 pin XLR plug. The input is dynamic with selectable 48v phantom power.  A high performance mic compressor is selectable at 3 levels.\u003cbr\u003e\n\u003cbr\u003e\nHeadphone Output\u003cbr\u003e\nThe headphone output is available in parallel via a 3.75mm (1\/4\") and a 2.5mm (1\/8\") jack sockets.\u003cbr\u003e\n\u003cbr\u003e\nTwo Headphone Amplifiers\u003cbr\u003e\nThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and\/or pink noise can be mixed to each output independentely. See the remote control page for further info.\u003cbr\u003e\n\u003cbr\u003e\nRear Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nSources\u003cbr\u003e\nThe multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nMic Gain\u003cbr\u003e\nThe mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nPhantom Power \u0026amp; Bias\u003cbr\u003e\n48V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Connection\u003cbr\u003e\nTwo network connections are available so a redundant network can be available if required for backup. The GTM is powered via PoE from the network switch or via a midspan PoE injector.\u003cbr\u003e\n\u003cbr\u003e\nHD-SDI \u003cbr\u003e\nThe HD-SDI input is looped through, so the GTM can be used inline of the video signal. HD-SDI is an option and not on the standard GTM.\u003cbr\u003e\n\u003cbr\u003e\nGame Integrity Features\u003cbr\u003e\n\u003cbr\u003e\nBackground Audio Guard\u003cbr\u003e\nThe GTM has introduced the Background Audio Guard facility that allows reduction of the background noise by up to 40dB.  There is separate gating at 34 different frequencies, to prevent unwanted arena noise from entering the mic and being shared across the team talk mix and the gamers own headset.  This reduces the possibility of any team gaining a competative advantage from overhearing a potentiall advantagous comment leaking from the mic input.","brand":"Glensound - Network Audio","offers":[{"title":"GTM SDI \/ https:\/\/www.glensound.co.uk\/product-details\/gtm-sdi\/ \/ null","offer_id":43229082353752,"sku":null,"price":5136.79,"currency_code":"NZD","in_stock":true}]},{"product_id":"gtm-si-esports-gamers-interface","title":"GTM SI - eSports Gamers Interface","description":"The GTM-SI combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.\u003cbr\u003e\n\u003cbr\u003e\nThe GTM-SI is the stripped down version of the GTM, with no direct top panel controls.  It provides the interfacing connections, but control is via the GlenController app.\u003cbr\u003e\n\u003cbr\u003e\nGlenController Remote Controls\u003cbr\u003e\n\u003cbr\u003e\nThere are three level controls to adjust the desired mix into the users headphones from the following sources:\u003cbr\u003e\nGAME: This is the stereo level of the game audio\u003cbr\u003e\nTEAM: This is the overall level of the team comms channel\u003cbr\u003e\nME: This is the level of the users own voice in their headphones\u003cbr\u003e\n\u003cbr\u003e\nGame Audio Source\u003cbr\u003e\n\u003cbr\u003e\nFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source\u003cbr\u003e\n\u003cbr\u003e\nSPDIF A stereo digital optical TOSLink connection\u003cbr\u003e\nAUX IN An analogue stereo input on a 3.5mm (1\/8\") jack socket\u003cbr\u003e\nUSB Stereo USB audio input on a USB C connection\u003cbr\u003e\nDANTE Two single channel sources are available from the network\u003cbr\u003e\n\u003cbr\u003e\nMulti Channel Mix Sources\u003cbr\u003e\n\u003cbr\u003e\nDante\u003cbr\u003e\nFrom the Dante\/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.\u003cbr\u003e\nTypically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.\u003cbr\u003e\n\u003cbr\u003e\nHD-SDI (option)\u003cbr\u003e\nThe optional HD-SDI connection is de-embedded to provide 4 pairs of stereo audio sources. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair has a balance control. Typically only a single stereo pair is used for the game audio, but the further. inputs allow for future options and flexibility.\u003cbr\u003e\nThe HD-SDI signal is looped out so the GTM can be used inline of the video signal.\u003cbr\u003e\n\u003cbr\u003e\nTeam Mixer\u003cbr\u003e\n\u003cbr\u003e\nThe TEAM control the level of the Team Group Mix to the user.\u003cbr\u003e\n\u003cbr\u003e\nThe GTM-SI has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.\u003cbr\u003e\n\u003cbr\u003e\nThere is a multi input, Dante\/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM-SI TEAM output of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:\u003cbr\u003e\n\u003cbr\u003e\nFront Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nThere are options of connections on the front panel for the user of the GTM-SI\u003cbr\u003e\n\u003cbr\u003e\nHeadset Connection - 3.5mm (1\/8\" jack socket) TRRS\u003cbr\u003e\nThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.\u003cbr\u003e\n\u003cbr\u003e\nMic \u0026amp; Headphone Headset Connection - 5 Pin XLR\u003cbr\u003e\nFor connecting a headset using a 5 pin XLR plug. The input is dynamic with selectable 48v phantom power.\u003cbr\u003e\n\u003cbr\u003e\nTwo Headphone Amplifiers\u003cbr\u003e\nThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and\/or pink noise can be mixed to each output independentely. See the remote control page for further info.\u003cbr\u003e\n\u003cbr\u003e\nRear Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nSources\u003cbr\u003e\nThe multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nMic Gain\u003cbr\u003e\nThe mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nPhantom Power \u0026amp; Bias\u003cbr\u003e\n48V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Connection\u003cbr\u003e\nTwo network connections are available so a redundant network can be available if required for backup. The GTM-SI is powered via PoE from the network switch or via a midspan PoE injector.\u003cbr\u003e\n\u003cbr\u003e\nHD-SDI (option)\u003cbr\u003e\nThe HD-SDI input is looped through, so the GTM can be used inline of the video signal. HD-SDI is an option and not on the standard GTM.\u003cbr\u003e\n\u003cbr\u003e\nGame Integrity Features\u003cbr\u003e\n\u003cbr\u003e\nBackground Audio Guard\u003cbr\u003e\nThe GTM-SI has introduced the Background Audio Guard facility that allows reduction of the background noise by up to 40dB.  There is separate gating at 34 different frequencies, to prevent unwanted arena noise from entering the mic and being shared across the team talk mix and the gamers own headset.  This reduces the possibility of any team gaining a competative advantage from overhearing a potentiall advantagous comment leaking from the mic input.","brand":"Glensound - Network Audio","offers":[{"title":"GTM SI \/ https:\/\/www.glensound.co.uk\/product-details\/gtm-si\/ \/ null","offer_id":43229082550360,"sku":null,"price":3561.51,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_cc4148f8-7d77-4d07-9c2d-47eb21f588fc.jpg?v=1758618088"},{"product_id":"gtm-mobile-esports-gamers-interface","title":"GTM Mobile - eSports Gamers Interface","description":"The GTM Mobile combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM Mobile enhances the standard GTM with the addition of features specifically designed for mobile phone games.  GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.\u003cbr\u003e\n\u003cbr\u003e\nThe GTM is available in a stripped down version, with no direct top panel controls, for system integrators\u003cbr\u003e\n\u003cbr\u003e\nMobile Phone Support\u003cbr\u003e\n\u003cbr\u003e\nA USB to Ethernet adapter is included allowing bi-directional data between an Android phone and the GTM Mobile over the USB C cable.  This is important so that in large tournaments, you have a more reliable cable connection rather than a reliance on wi-fi.\u003cbr\u003e\n\u003cbr\u003e\nAs mobile games are often a high power drain on the battery, the GTM Mobile includes high power USB C charging via the same USB C cable, when the GTM Mobile is connected to a PoE++ switch.\u003cbr\u003e\n\u003cbr\u003e\nTop Panel Mixer\u003cbr\u003e\n\u003cbr\u003e\nThe top panel contains three level controls for the user to adjust their desired mix into their headphones from the following sources:\u003cbr\u003e\nGAME: This is the stereo level of the game audio\u003cbr\u003e\nTEAM: This is the overall level of the team comms channel\u003cbr\u003e\nME: This is the level of the users own voice in their headphones\u003cbr\u003e\n\u003cbr\u003e\nLarge controls allow for quick and easy adjustments and a multicolour LED ring around the control indicates the level position\u003cbr\u003e\nEach control is also a push button that can be used for future developments.\u003cbr\u003e\n\u003cbr\u003e\nGame Audio Source\u003cbr\u003e\n\u003cbr\u003e\nFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source\u003cbr\u003e\n\u003cbr\u003e\nSPDIF   A stereo digital optical TOSLink connection\u003cbr\u003e\nAUX      IN An analogue stereo input on a 3.5mm (1\/8\") jack socket\u003cbr\u003e\nUSB      Stereo USB audio input on a USB C connection. On a mobile phone there is 1x stereo input. On a PC this is 2x stereo                inputs.\u003cbr\u003e\nDANTE Two single channel sources are available from the network\u003cbr\u003e\n\u003cbr\u003e\nMulti Channel Mix Sources\u003cbr\u003e\n\u003cbr\u003e\nDante\u003cbr\u003e\nFrom the Dante\/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.\u003cbr\u003e\nTypically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.\u003cbr\u003e\n\u003cbr\u003e\nTeam Mixer\u003cbr\u003e\n\u003cbr\u003e\nThe top panel TEAM pot adjusts the level of the Team Group Mix to the user.\u003cbr\u003e\n\u003cbr\u003e\nThe GTM has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.\u003cbr\u003e\n\u003cbr\u003e\nThere is a multi input, Dante\/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM TEAM pot of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:\u003cbr\u003e\n\u003cbr\u003e\nFront Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nThere are options of connections on the front panel for the user of the GTM\u003cbr\u003e\n\u003cbr\u003e\nHeadset Connection - 3.5mm (1\/8\" jack socket) TRRS\u003cbr\u003e\nThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.\u003cbr\u003e\n\u003cbr\u003e\nHeadset Connection - 4 or 5 pin XLR (can be specified)\u003cbr\u003e\nFor connection of combined mic\/headphone headsets, often aviation style.  This can be specified as 4 or 5 pin. \u003cbr\u003e\n\u003cbr\u003e\nMic Input - 3 Pin XLR\u003cbr\u003e\nFor connecting a professional broadcast grade microphone using a separate 3 pin XLR plug. The input is dynamic with selectable 48v phantom power.  A high performance mic compressor is selectable at 3 levels.\u003cbr\u003e\n\u003cbr\u003e\nHeadphone Output\u003cbr\u003e\nThe headphone output is available in parallel via a 3.75mm (1\/4\") and a 2.5mm (1\/8\") jack sockets.\u003cbr\u003e\n\u003cbr\u003e\nTwo Headphone Amplifiers\u003cbr\u003e\nThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and\/or pink noise can be mixed to each output independentely. See the remote control page for further info.\u003cbr\u003e\n\u003cbr\u003e\nRear Panel Connections\u003cbr\u003e\n\u003cbr\u003e\nSources\u003cbr\u003e\nThe multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nMic Gain\u003cbr\u003e\nThe mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.\u003cbr\u003e\n\u003cbr\u003e\nPhantom Power \u0026amp; Bias\u003cbr\u003e\n48V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Connection\u003cbr\u003e\nTwo network connections are available so a redundant network can be available if required for backup. The GTM is powered via PoE from the network switch or via a midspan PoE injector.\u003cbr\u003e\n\u003cbr\u003e\nUSB Connection to Computer\u003cbr\u003e\nThe GTM Mobile also includes an enhanced PC USB interface.  There are 2 pairs of audio channels available from the PC for monitoring.  The GTM Mobile can also be powered from the PC when connected to a USB C with PD.  Please note that in this mode, mobile phone charging is not available unless the PoE port has PoE++ power..\u003cbr\u003e\n\u003cbr\u003e\nGame Integrity Features\u003cbr\u003e\n\u003cbr\u003e\nBackground Audio Guard\u003cbr\u003e\nThe GTM has introduced the Background Audio Guard facility that allows reduction of the background noise by up to 50dB.  There is separate gating at 34 different frequencies, to prevent unwanted arena noise from entering the mic and being shared across the team talk mix and the gamers own headset.  This reduces the possibility of any team gaining a competative advantage from overhearing a potentiall advantagous comment leaking from the mic input.","brand":"Glensound - Network Audio","offers":[{"title":"GTM MOBILE \/ https:\/\/www.glensound.co.uk\/product-details\/gtm-mobile\/ \/ null","offer_id":43229082714200,"sku":null,"price":5205.28,"currency_code":"NZD","in_stock":true}]},{"product_id":"dark88-mkii-audio-network-8-input-8-output-break-out-box","title":"DARK88 MKII - Audio Network 8 Input, 8 Output Break Out Box","description":"The DARK88 MKII is a versatile break in\/ out box for sending\/ receiving analogue audio to\/ from a network utilising the Dante audio over IP (AoIP) protocol.\u003cbr\u003e\n\u003cbr\u003e\nIn total there are 8 channels of audio sent from the DARK88 MKII into the network. The DARK88 MKII has 8 of analogue electronically balanced audio inputs on Neutrik XLRs.\u003cbr\u003e\n\u003cbr\u003e\nSimultaneously there are 8 channels of audio being received from the network by the DARK88 MKII and these incoming circuits are provided as outputs from the DARK88 MKII in analogue.\u003cbr\u003e\n\u003cbr\u003e\nNetwork sample rates of up to 192kHz are accommodated seamlessly within the DARK88 MKII.\u003cbr\u003e\n\u003cbr\u003e\nBeing designed for resilient broadcast applications the DARK88 MKII features both redundant power supplies and redundant Dante network links. Both primary and secondary network links are provided with both magnetic (copper RJ45) and fibre (SFP) interface connections. The Dante system itself provides a completely transparent redundant link system which means that if the DARK88 MKII lost its primary link circuit the secondary link would automatically take over with no loss of \u003cbr\u003e\naudio.\u003cbr\u003e\n\u003cbr\u003e\nThe primary and secondary network interfaces are routed internally via a network switch.  It is possible to set this switch to work as a traditional network switch instead of the default redundant mode.  This means that there would be just one link to the Dante network and the other connections of the switch could have other Dante or network devices connected to them. As with all Dante devices, once set up, DARK88 MKII units can be directly connected with each other with no external network hardware.\u003cbr\u003e\n\u003cbr\u003e\nOn the front panel, LEDs indicate the status of the 2 power supplies and the 2 network links. GPO status outputs are also provided for external indication of the power supply \u0026amp; network status.\u003cbr\u003e\n\u003cbr\u003e\nNetwork connections are placed on the front panel of the DARK88 MKII in order that the network cables (or fibres) match those of a rack mounted professional network switch, making installation and tracing interconnecting cables easy. Fibre connections are via SFP slots, meaning that users can select their own preferred fibre type \u0026amp; connector style by installing their own fibre SFP modules (a selection of modules is available from Glensound if preferred).\u003cbr\u003e\n\u003cbr\u003e\nThe DARK88 MKII features the Brooklyn module from Audinate which is AES67 compliant.\u003cbr\u003e\n\u003cbr\u003e\nFeatures\u003cbr\u003e\n•\t8 audio inputs and 8 audio outputs on XLR connections\u003cbr\u003e\n•\tRedundant CAT5 and fibre network connections\u003cbr\u003e\n•\tUp to 192kHz sampling\u003cbr\u003e\n•\tConnection to Dante network for control and configuration\u003cbr\u003e\n•\tFront Panel GPO status outputs\u003cbr\u003e\n•\tConnects to any Dante compatible unit from other manufacturers\u003cbr\u003e\n•\tAES67 Compliant\u003cbr\u003e\n•\t12 VDC power option\u003cbr\u003e\n•\tTwin redundant power supply\u003cbr\u003e\n","brand":"Glensound - Network Audio","offers":[{"title":"DARK88 MKII \/ https:\/\/www.glensound.co.uk\/product-details\/dark88-mkii\/ \/ https:\/\/www.glensound.co.uk\/assets\/library\/607417d495e65-DARK88%20MKII%20v3.pdf","offer_id":43230836326488,"sku":null,"price":4337.74,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_da0085c1-709c-4338-9a9d-30d832e6ea98.jpg?v=1758682857"},{"product_id":"dark8mair-8-channel-dante-aes67-microphone-amplifier","title":"DARK8MAIR - 8 Channel Dante\/ AES67 Microphone Amplifier","description":"The DARK8MAIR (Microphone Analogue Input Rackmount) is a very powerful Dante\/ AES67 network audio interface, in a robust stage box\/ throw down style. It has 8 off low noise mic\/line inputs which are remotely controlled by a Windows 10 app. The outputs of the microphone amplifiers are transmitted on a fully redundant Dante\/ AES67 network interface.\u003cbr\u003e\n\u003cbr\u003e\nHaving 8 off low noise high quality microphone inputs makes the DARK8MAIR perfect for transporting audio circuits from a stage or a pitch side position to a mixer or other location within an audio network.\u003cbr\u003e\n\u003cbr\u003e\nThe rugged design, PoE\/ Mains powering \u0026amp; remote control facility of the unit means that it can easily be placed and left unattended wherever audio sources are required.\u003cbr\u003e\n\u003cbr\u003e\n•\tEight Audio Inputs\u003cbr\u003e\nThe DARK8MAIR has 8 audio inputs. Each input is on its own Neutrik 3 pin XLR socket and each input can be set to accept line or mic level inputs. Clever internal circuitry even changes the input impedance to correctly match the input type.\u003cbr\u003e\n\u003cbr\u003e\n•\tLow Noise Mic Amps\u003cbr\u003e\nThe very best low noise \u0026amp; distortion microphone amplifier chipsets by Profusion are used in our very carefully designed pre-amp. The design of the pre-amp took our Chief Design Engineer over 3 months to develop and tailor to provide crystal clear sound unaltered by unwanted characteristics.\u003cbr\u003e\n\u003cbr\u003e\n•\tMic\/Line\/Phantom Power\u003cbr\u003e\nEach of the eight inputs can be individually switched to accept either a mic or line level input.  The mic input can also have 48 Volt phantom power turned on\/ off. Input selection and phantom power settings are enabled on the Windows 10 app.\u003cbr\u003e\n\u003cbr\u003e\n•\tHigh Quality Analogue To Digital Converters\u003cbr\u003e\nAs well as the best microphone amplifiers the very best, widest range analogue to digital converters (ADC) currently available are used to make sure the digital audio on your network is as good as it possibly can be. The filter settings of the ADC can even be changed via the app.\u003cbr\u003e\n\u003cbr\u003e\n•\tWindows 10 App For Remote Control\u003cbr\u003e\nThe free windows 10 app provides full remote control of the DARK8MAIR. It allows switching of input types, gain control, level monitoring and more.\u003cbr\u003e\n\u003cbr\u003e\n•\tNetwork Interface\u003cbr\u003e\nThere are 4 network interfaces on the DARK8MAIR. There are 2 x Neutrik Ethercon (RJ45) connectors and there are also 2 x SFP slots for customers to fit their own preferred fibre interfaces.\u003cbr\u003e\n\u003cbr\u003e\n•\tRedundant Network Interface\u003cbr\u003e\nWhen using the Dante protocol it is possible to set the DARK8MAIR to have a fully redundant network interface whereby a completely glitch free automatic redundant audio network link is provided across 2 of the network interfaces.\u003cbr\u003e\n\u003cbr\u003e\n•\tPower\u003cbr\u003e\nDARK8MAIR can be powered from 4 independent sources to provide a redundant power option.\u003cbr\u003e\nEach copper RJ45 network socket can accept PoE (this means that just 1 cable can carry power and audio data to\/ from the unit). \u003cbr\u003e\nFor extra redundancy there are 2 inbuilt wide range switch mode power supplies each with their own IEC inlet.\u003cbr\u003e\n","brand":"Glensound - Network Audio","offers":[{"title":"DARK8MAIR \/ https:\/\/www.glensound.co.uk\/product-details\/dark8mair\/ \/ https:\/\/www.glensound.co.uk\/assets\/library\/60743d8875600-Dark8MAIR%20v3.pdf","offer_id":43231065047128,"sku":null,"price":4965.57,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_17bd4c89-967c-42c3-8684-50d6b10d67d0.jpg?v=1758690077"},{"product_id":"dark22m-network-audio-interface","title":"DARK22M Network Audio Interface","description":"* available Q1 2026 \u003cbr\u003e\nAnalogue Inputs \u0026amp; Outputs\u003cbr\u003e\nTwo analogue inputs and two analogue outputs presented as full size 3 pin XLRs, The mic inputs are independently selectable mic\/48V\/line. So the DARK22M is more like 2 x 1 channel interfaces as each side can be configured separately. A dynamic mic input on input 1 and a phantom power mic on input 2? No problem.\u003cbr\u003e\n\u003cbr\u003e\nUSB Inputs \u0026amp; Outputs\u003cbr\u003e\nThe DARK22M is also a bi-directional USB to Dante converter too. This will happen in parallel to the analogue audio connections. It can also be set as a bi-directional USB to analogue converter. The addition of USB C really adds useful options.\u003cbr\u003e\n\u003cbr\u003e\nAudio Processing\u003cbr\u003e\nWhere the DARK22M really sets itself apart is in audio performance. You see, it started life as the DARK8MAI – an 8 channel mic amp. This means that the resources of the DARK8MAI are still available – namely an 8 channel analogue to digital converter. Glensound's design engineer Alex Clarke was able to utilise these ADC channels in a rather clever way. By sending each input equally across 4 x ADC inputs, then combining them in the ADC. When you divide by four, you end up with the same level, but the noise cancels out, resulting in a much improved signal to noise ratio and dynamic range. This has resulted in the mic inputs on the DARK 22M being just about the cleanest and brightest of any network mic amp available.\u003cbr\u003e\n\u003cbr\u003e\nFurther DSP Options\u003cbr\u003e\nAs a DSP device, further dynamics are available. By default, it includes Glensound's well known Referee compressor system. This is a compressor curve that only affects the audio input just prior to clipping. A graduated compressor, that is much subtler than a hard limiter, but with the benefit that it will prevent the input from clipping.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Connectivity \u0026amp; Redundancy\u003cbr\u003e\nNetwork options on the DARK 22M are also very powerful. There are a primary and a secondary ports on copper RJ45 sockets, and, primary and secondary ports via your choice of SFP fibre modules. The SFP ports allow all choices of single mode, multi mode, or single fibre bi-directional modules. These can be configured in redundant mode, or a switched mode, basically turning the connections into a 4 port switch that can be used for daisy chaining other network devices.\u003cbr\u003e\n\u003cbr\u003e\nNetwork Interfacing\u003cbr\u003e\nTypically with low channel count units, devices are fairly basic, and in the Dante world this would mean the basic Ultimo module, and the associated limitations of a 100MB network interface. This is fine on entry level units, but the DARK22M is not an entry level unit. The DARK22M features the full fat Brooklyn 3 module, with 1GB network interface and its ability to happily act as the master clock on a large network. So although it is low channel count, it has high specification networking not normally found at this level.\u003cbr\u003e\n\u003cbr\u003e\nControl\u003cbr\u003e\nThe input type and gain level can be set directly on the unit itself. The DARK22M is also part of GlenController, the Glensound remote control app. This means input type, input gain, and level monitoring is available via remote control.\u003cbr\u003e\n\u003cbr\u003e\nThe DARK22M uses UDP for remote control and the command list is available. This means if you are using a dedicated control app that can generate UDP commands (and most can) then your choice of remote will also be able to control the DARK22M.","brand":"Glensound - Network Audio","offers":[{"title":"DARK22M \/ https:\/\/www.glensound.co.uk\/product-details\/dark-22m-736\/ \/ null","offer_id":43347322699864,"sku":null,"price":4006.7,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_d6273723-27fd-44d6-af3f-69084dd61b15.jpg?v=1787979656"},{"product_id":"dark2mai-mkii-network-audio-interface","title":"DARK2MAI MkII Network Audio Interface","description":"","brand":"Glensound - Network Audio","offers":[{"title":"DARK2MAI MkII \/ null \/ null","offer_id":43347322765400,"sku":null,"price":3538.68,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_7810d1b5-e084-4cdd-a39f-4e715027dd74.jpg?v=1762336888"},{"product_id":"dark2mair-mkii-network-audio-interface","title":"DARK2MAIR MkII Network Audio Interface","description":"","brand":"Glensound - Network Audio","offers":[{"title":"DARK2MAIR MkII \/ null \/ null","offer_id":43347324633176,"sku":null,"price":4006.7,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_ca058ba8-aad3-46d6-bf31-abdd0030fbb3.jpg?v=1762336899"},{"product_id":"dark4mai-mkii-network-audio-interface","title":"DARK4MAI MkII Network Audio Interface","description":"","brand":"Glensound - Network Audio","offers":[{"title":"DARK4MAI MkII \/ null \/ null","offer_id":43347324665944,"sku":null,"price":4006.7,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_bad0a80c-f7f4-46c4-ad18-520f8dbd5d50.jpg?v=1762336907"},{"product_id":"dark4mair-mkii-network-audio-interface","title":"DARK4MAIR MkII Network Audio Interface","description":"","brand":"Glensound - Network Audio","offers":[{"title":"DARK4MAIR MkII \/ null \/ null","offer_id":44053919498328,"sku":null,"price":4326.32,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/2671\/9576\/files\/ContainerBridge_7fd7f8f1-e43c-4b0a-a3cd-867b068333b4.jpg?v=1762336913"},{"product_id":"dante-sfps-single-mode-sfp-module-required-for-fiber-links","title":"Dante\/SFPS - Single-mode SFP Module (Required for Fiber Links)","description":"Commentators Equipment (Dante Interface)\u003cbr\u003e\n\u003cbr\u003e\nFor distance of up to 15km. LC Connectors","brand":"Glensound - Network Audio","offers":[{"title":"Dante\/SFPS \/ http:\/\/www.tm-systems.com.au\/products\/glensound\/ \/ null","offer_id":44504178786392,"sku":null,"price":136.98,"currency_code":"NZD","in_stock":true}]},{"product_id":"dante-sfp1-single-core-wdm-module-for-distances-up-to-10km-paired-module-with-dante-sfp2-below","title":"Dante\/SFP1 - Single Core WDM module for distances up to 10km.","description":"","brand":"Glensound - Network Audio","offers":[{"title":"Dante\/SFP1 \/ null \/ null","offer_id":44504178819160,"sku":null,"price":171.23,"currency_code":"NZD","in_stock":true}]}],"url":"https:\/\/store.qvest.co.nz\/collections\/glensound-network-audio.oembed","provider":"Qvest Store New Zealand","version":"1.0","type":"link"}